99 research outputs found
From analogue to digital scholarship: implications for science communication researchers
Digital media have transformed the social practices of science communication. They have extended the number of channels that scientists, media professionals, other stakeholders and citizens use to communicate scientific information. Social media provide opportunities to communicate in more immediate and informal ways, while digital technologies have the potential to make the various processes of research more visible in the public sphere. Some digital media also offer, on occasion, opportunities for interaction and engagement. Similarly, ideas about public engagement are shifting and extending social practices, partially influencing governance strategies, and science communication policies and practices. In this paper I explore this developing context via a personal journey from an analogue to a digital scholar. In so doing, I discuss some of the demands that a globalised digital landscape introduces for science communication researchers and document some of the skills and competencies required to be a digital scholar of science communication
Supporting excellence in engaged research
This paper reviews the purposes, definitions and criteria designed to embed ‘engaged research’ as a strategic priority with universities, and explores some of the challenges of implementation. Surveys of academics have shown various understandings of, and attitudes to, the practices of engaged research, but also impediments to realising the aspirations it expresses. Drawing on the experience as the academic lead for engaged research at the Open University, the author explores questions of professionalisation, for example, through training, support mechanisms and measures of recognition for engaged research. He concludes by arguing that, if done well, engaged research can promote epistemic justice
Towards an open research university: creating the conditions where engaged research can flourish.
Embracing the values of publics, stakeholders and end-users enriches knowledge generation and exchange, improving the quality of research. For the principles of engaged research to become embedded in university cultures of research, however, fundamental changes are required at strategic and operational levels. Richard Holliman has been leading a programme of organisational change at the Open University to create the conditions where engaged research can flourish across different academic domains. Here, he argues that questions of quality are at the heart of securing a progressive agenda for engaged research
Telling science stories in an evolving digital media ecosystem: from communication to conversation and confrontation
The globalised digital media ecosystem can be characterised as both dynamic and disruptive. Developments in digital technologies relate closely to emerging social practices. In turn these are influencing, and are influenced by, the political economy of professional media and user-generated content, and the introduction of political and institutional governance and policies. Together this wider context provides opportunities and challenges for science communication practitioners and researchers.
The globalised digital media ecosystem allows for, but does not guarantee, that a wider range of range of contributors can participate in storytelling about the sciences. At the same time, new tools are emerging that facilitate novel ways of representing digital data. As a result, researchers are reconceptualising ideas about the relationship between practices of production, content and consumption. In this paper I briefly explore whether storytelling about the sciences is becoming more distributed and participatory, shifting from communication to conversation and confrontation
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Fairness in knowing: How should we engage with the sciences?
When the Open University was founded in 1969, it established a mission for social justice that informs everything we do; to be open to people, places, methods and ideas.
Since that time, the ways that we realise our mission has continued to change. We now talk of open and engaged research, involving stakeholders, end-users and members of the public over any or all stages of a research process.
Engaged research sits at the boundary of theory and practice, of academia and wider society, at the sites where knowledge, professional practice and experiences are co-produced and exchanged.
In this inaugural lecture, I address normative, substantive and instrumental motivations for how we should continue to engage across sub-cultural boundaries with science and technology. I explore how ideas about communication and engagement in the UK are changing and argue that engagement with science and technology should have a moral imperative, to act as a route to promoting epistemic justice, or ‘fairness in knowing’
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"We muddle our way through": shared and distributed expertise in digital engagement with research
The use and availability of digital media is changing researchers' roles and simultaneously providing a route for a more engaging relationship with stakeholders throughout the research process. Although the digital realm has a profound influence on people's day-to-day lives, some researchers have not yet professionally embraced digital technologies. This paper arises from one aspect of a project exploring how university research and professional practices are evolving as researchers engage with stakeholders via digital media to create, share and represent knowledge together. Using researchers from the Open University (U.K.) as a case study, this paper reviews the extent to which they are developing multiple identities and functions in their engaged research through digital media
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Moving beyond the seductive siren of reach: planning for the social and economic impacts emerging from school-university engagement with research
In the past 25 years school-university partnerships have undergone a transition from ad hoc to strategic partnerships. Over the previous two-and-a-half-years we have worked in partnership with teachers and pupils from the Denbigh Teaching School Alliance in Milton Keynes, UK. Our aims have been to encourage the Open University and local schools in Milton Keynes to value, recognise and support school-university engagement with research, and to create a culture of reflective practice. Through our work we have noted a lack of suitable planning tools that work for researchers, teachers and pupils. Here we propose a flexible and adaptable metric to support stakeholders as they plan for, enact and evaluate direct and meaningful engagement between researchers, teachers and pupils. The objective of the metric is to make transparent the level of activity required of the stakeholders involved—teachers, pupils and researchers—whilst also providing a measure for institutions and funders to assess the relative depth of engagement; in effect, to move beyond the seductive siren of reach
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(In)visible Witnesses: Young people's views of images of scientists, technologists, engineers and mathematicians on UK children's television from a gender perspective (Research Briefing)
This briefing is based on the (In)visible Witnesses study by a team of researchers led by Liz Whitelegg and Richard Holliman at the Open University. This project is one of five commissioned by the UKRC to explore issues around the role of the media and representations of women in STEM. This briefing looks at the (re)construction of gendered representations of STEM on children's television and investigates the ways in which these images affected children's and young people's perceptions of STEM. The content of two weeks of children's television was analysed. Following this, 45 children and young people were involved in a study which looked at how children and young people made sense of the STEM they watch on television. Several methods were used to elicit children's and young people's perceptions of STEM and their place within these fields in the future - a questionnaire, 'draw-a-scientist' test, reflective writing about their future selves as scientists and the creation of a 'storyboard' for a TV programme
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